by Camille Langtry and SW
The slaves were ordered to line up on the
steps as the guests began to arrive. A disturbing thought crossed Sophie's
mind: what if one of the guests recognized her? It was not inconceivable to
imagine the possibility, even though she was far from home. She anxiously
scanned the faces of arriving guests as they exited their carriages and
ascended the stairs to be greeted by Caroline, who received them in an attitude
of almost regal formality, and, with great relief, Sophie failed to find any
familiar faces.
The entire performance for the reception
of guests was very well rehearsed with each slave knowing precisely where to
stand and what to do. The prettier girls, Sophie among them, were placed at the
top of the stairs behind the hostess. Their assigned job was to collect the
men's canes, gloves and hats and put them away on a specially designated rack,
while the rest of the slaves were required to curtsey or bow in unison for each
new arrival. Apparently this ritual was well-known to them, yet the grim-looking
housekeeper stood slightly to the side to make sure everyone did their best and
there was no chattering or giggles.
The guests were escorted to the garden
where the tables had been set out. The sun was still high and the ladies in
attendance paraded with their parasols to protect their delicate skin from the
treacherous Southern sun. The house maids, dressed in their neat calico
uniforms, were quick to offer refreshments to the guests, one or two of whom
had traveled for several hours to get to Cypress Hill.
The “small affair” that Caroline had
spoken of that morning amounted to about two dozen guests, most of whom, by the
look of things, were neighbors and knew each other well. Patricia Tremont
brought her two daughters, aged 18 and 16, and, as promised, a newcomer, her
cousin - a dashing dark-haired man in a sleek suit, who gave Sophie a smile -
the only one of all the guests to have done so - as he handed her his top hat
and gloves on arrival. The Reverend Andrews, a tall and thin man with a long,
unsmiling face, was the last to arrive.
Caroline, dressed in an azure gown
specially made for the occasion, was at her hospitable best as she graciously
moved between her guests, exchanging pleasantries, a lovely smile on her face.
There was absolutely no trace of the nasty and ill-tempered creature, pretty on
the outside petty and dirty rotten on the inside, who could order a fellow
human being whipped or commit other unspeakable acts of cruelty as if it were her
God-given right and obligation. For all these well-dressed ladies and
gentlemen, there was only one face of Caroline: that of a proper and
well-mannered young lady.
It suddenly occurred to Sophie, much to
her chagrin, that even if Caroline's treatment of her slaves was publicly
known, it would have little effect on the planter daughter’s reputation. To her
equals she would remain a respectable member of society. Certainly, there were
some bleeding hearts that advocated softer treatment - after all the slaves
were fellow Christians, were they not? - but even they would hardly be shocked
by the young mistress's methods and ways. After all, she wasn’t doing anything
that thousands of fellow slave owners hadn’t been doing to some degree
(including Sophie herself!) for many decades and Caroline, for all her
vindictiveness and ill temper, was hardly the worst of them. There were sordid
tales of rape and torture told by slaves and masters alike that could turn even
the staunchest supporter of the Southern way of life into an abolitionist but
these accounts were hushed and suppressed from wider society. The way things
were at Cypress Hill was not in any way out of the ordinary.
A couple of hours before the party
commenced Rosa briefly introduced the new girl to the other dancers and showed
her some movements. After she had seen Sophie’s stiff, wooden motions, she
shook her head in disbelief: “Ah don know why Miz Caroline says you be good for
da dance, gal. You doesn’t got ‘em moves. You jus’ follow them other gals da
best you can and stay out of da way.”
It wasn’t the dance itself that concerned Sophie
the most though, it was her costume. She had seen slave jigs and ring shouts both
at her own plantation and in town, but the dancers were always dressed in
regular clothing. However, Caroline’s idea of a dance costume was a skimpy
outfit, an approximation of what Negro girls wore in darkest Africa. It
consisted of a short skirt made from white beads, that fully covered her loins
and thighs and then only if she stood still, and a large, multilayered wooden
necklace over her breasts and barely adequate to preserve decency.
If there was any way to escape the
indignity of appearing dressed like that in front of Caroline’s guests without
confronting her mistress and causing a scene, Sophie would have done so. It was
obvious to her she did not have the courage for that and that meant she had to
swallow her pride and dress like a savage for Caroline’s entertainment and that
of her guests.
At the serving table Sophie filled fresh
crystal glasses with mint julep and goblets with wine when she became aware of
a lady nearby, who raised her hand and summoned her. Sophie tingled with excitement for she found
serving a large party of her “betters” to be intoxicating and knowing too that
so many eyes were upon her. She carefully collected the salver of drinks and
stepped over to the guest who was standing with one other lady. The two had
evidently been admiring flowers at the veranda border. Sophie dipped and fixed her serving smile as
she proffered the gleaming tray. As the guests took their refreshments the one
who had called her over, a young lady with cold eyes and disdainful,
unattractively thin lips, turned to Sophie, unceremoniously studied her for a
moment and then asked in a rather unrefined drawling voice:
“Tell me girl, are you trained for all
housework?”
Sophie looked at the woman and made an
instant and unfavorable estimation of her; the over-powdered face and the
garish dress which was of top quality silk but bespoiled with an excessive
elaboration of trimmings - rather like a frilly opera house curtain. Her shining jewelry too, was ostentatious
and, whilst undoubtedly expensive, lacking in tasteful reserve and quite inappropriate
for a garden party. Sophie wouldn't have wished to be seen dead in such a
vulgar outfit back home - and neither could she imagine her Mistress could ever
dress so. She assumed the woman belonged to the 'New Money' class which
substituted taste, refinement and manners of old with splashy displays of
wealth. But she smiled at the woman
nonetheless and with dutiful servility replied, “Yes'm Miz. Ise bin trained fo' da house real well.”
“I see,' said the other, 'and can you tend
a lady's hair and clothes?”
Sophie ducked her head and replied, “Yes,m
Miz. Ah suah can.”
The woman turned to her rather
plain-looking companion, and asked, “What do you think Charlotte? You know I'm looking for a good
chambermaid. Would you think this one
might do?”
The woman's friend briefly glanced,
disinterestedly, at Sophie and answered, “Margaret, I suppose she might. She
seems good enough at her work. Her manners appear satisfactory and I do believe
she is quite comely …. for a nigra. I
expect she might not be let go for less than a thousand though.”
“Oh, my dear ladies, Sophie here can
attend to many things. I can attest to that,’’ smiling, Philip appeared from
nowhere - an almost drained wine glass in his hand - and gave Sophie a wink.
“Sophie, do we also have whiskey here? Don’t tell me Caroline put it away
again!” Looking at his wine he added, “This doesn’t do much for me.”
“Ah doesn’t know, Massa Philip, suh. Ah ain’t seen none here. Reckon Rosa gots some at de otha servin’ table, suh,’’ Sophie replied respectfully with a little curtsey.
“I’ll be damned,’’ Philip cursed under his nose and moved away, leaving the two women snickering at his apparent lack of manners, but not before he bent to Sophie’s ear, a sour smell of alcohol in his breath, and whispered: “My room. After the party.”
“Ah doesn’t know, Massa Philip, suh. Ah ain’t seen none here. Reckon Rosa gots some at de otha servin’ table, suh,’’ Sophie replied respectfully with a little curtsey.
“I’ll be damned,’’ Philip cursed under his nose and moved away, leaving the two women snickering at his apparent lack of manners, but not before he bent to Sophie’s ear, a sour smell of alcohol in his breath, and whispered: “My room. After the party.”
With Philip moving away to search for the
elusive whiskey bottle, the inquiring lady turned again to Sophie and began to
interrogate her experience and abilities in more detail when Sophie heard her
name called from the veranda and she turned to see Elizabeth wave a beckoning
hand to her. Sophie said quickly,
“Pahdon me Miz but will that be all? My
missus is callin' me Ma'am.”
The woman pursed her thin lips and said
curtly, “Very well, you may go but I'll be watching you girl. I need a new maid for my chamber and I'm
looking to buy. I may speak to your Mistress about you later.”
Sophie smiled again and replied, “Yes'm,
thank yo' Miz,” and after dipping a quick curtsey she hurried toward the porch
where she observed Elizabeth seated with the handsome dark-haired bachelor
who's hat she had taken upon his arrival.
She quickly mounted the steps and moved to the little table where the
couple sat. There she curtseyed, smiled
widely and presented her tray to her mistress.
Elizabeth swept her eyes over the offering
and raised a dismissive hand saying, “I have had a sufficiency of wine for now
Sophie. Serve Mister McGowan and then
bring lemonade for me.”
Sophie replied meekly, “Yes'm, I gits it fo' yo' jes as soon as Ise
served the gen'l'man Missa,” and she stepped to him and, smiling, bent low and
offered her tray of drinks. The man gave
her a lingering and admiring look and made no move to take a glass but neither
did he wave her away and she was obliged to remain bending before him as he
remarked:
''Miss'?
So this girl belongs to you Madame Deveraux?”
Elizabeth returned:
“Yes, Sophie is my girl, I brought her
here to attend me. She is my personal
maid at home.”
At last, after what seemed like an age to
Sophie, the gentleman took a glass of wine and after she had stood upright he
looked to Elizabeth and said:
“I confess, I cannot recall seeing a
comelier serving girl. But that, most
certainly, is only right and proper,” He
smiled warmly - flashing good white teeth - and continued, “after all, the most
beautiful lady in the South should surely possess only the very finest of
maids,” and he looked at Elizabeth with fire burning in his piercingly gray eyes.
Mistress and slave both blushed. Certainly, his remarks had been forward,
perhaps even a little audacious, but there was nothing in his manner to cause
unease or alarm – indeed both felt that the handsome bachelor was quite the
daring and mischievous charmer and, in truth, both had been rather pleased and
flattered by his words. Elizabeth held
her fan to her reddening cheeks and giggled girlishly and he turned again to
Sophie who blinked her long eyelashes in anticipation of whatever was to come next. Smiling at her he said in a questioning but
not unfriendly tone:
“I hope you do well for your Mistress,
Sophie?” and she answered, her face burning with a mixture of exciting
emotions, “Yes suh. Ah allus tries ter do the bes' fo' mah mistiss suh.”
He laughed and said lightly, “That's a
good girl. Your mistress deserves only
the very best, you know that don't you?'
Her cheeks still aflame, Sophie nodded, curtsied again and murmured,
“Yes suh, reckon Ah know it suh.” She was glad then to be dismissed when
Elizabeth said firmly, as she lowered her shawl just a little to reveal her
naked white shoulders, “Fetch that drink now Sophie and see that you bring it
in a tall glass,” then smiling at Mister McGowan she added in a seductive tone, “I am much in need of a cooling
refreshment. Why, I am feeling quite
faint with the heat.”
When Sophie returned and served the
lemonade for her mistress she asked, “Will that be all Missa?” Elizabeth replied with a dismissive wave of
the hand and without even a glance in her direction; “Yes girl, go back to your
rounds.” When Sophie curtseyed and left the two to their chatter and laughter
she understood Elizabeth's eagerness to be alone with her strikingly
good-looking companion. She had noted
too that the gentleman had already been permitted the intimacy of addressing
his companion simply as 'Elizabeth' and, with a little smile, Sophie wondered
if her mistress would soon have a suitor - any problems that such an
eventuality might create for her in the future never crossed her mind.
Sophie rejoined the other slaves in
serving drinks, but could not help but secretly observe what her Mistress was
doing even though she could not hear a word. The two were clearly having a
lively conversation: Elizabeth was laughing and fanning her face vigorously,
her shawl now fully removed, revealing her bare alabaster shoulders and the top
of her full breasts, pushed high by the stays into which Sophie had laced her
before the party. Soon they were joined
by the gaudy lady from earlier, who said a few words to Elizabeth and pointed
in Sophie’s direction. Elizabeth, who appeared pleasantly surprised, responded
and the lady uttered something in return, clearly disappointed with what she
had heard, and left the pair alone.
As Sophie passed by with her tray she overheard Reverend Andrews say: “Miss Cranstone, I travel around the state quite a lot and I must say Cypress Hill is possibly the best-run plantation in all of Georgia,” adding “Your father, my dear friend, must be so proud of you. My only pity is that I don’t see you that often at service. How long has it been, six months? You family has been the biggest supporter of our parish for the past 30 years...”
“Thank you, Reverend. Yes, it is not easy
running a household like this. I must say it has taken way too much of my time
and I do promise you will see me a lot more often in coming months,” Caroline
replied modestly and took a glass from Sophie’s tray. “Look at all these slaves
around you. I am like a mother to them, taking care of all their needs because
they are like little children that can’t be left alone.”
“Very well put, Miss Cranstone. Titus: Teach slaves to be subject to their masters in everything, to try to please them, not to talk back to them, and not to steal from them, but to show that they can be fully trusted, so that in every way they will make the teaching about God our Savior attractive”, the Revered said and raised his right arm as if to bless Caroline, but lowered it as if he changed his mind at the last moment. “But don’t forget, it is also said: Masters, provide your slaves with what is right and fair, because you know that you also have a Master in heaven!”
"Hallelujah!" Philip, sitting
alone by the wall, blurted out drunkenly and raised a glass.
“Reverend, rest assured that what we do
here at Cypress Hill is always right and fair,’’ Caroline said dryly and gave
her brother an angry look. “Doesn’t it also say something about obeying one’s
masters with respect and fear as one would do Lord Jesus Christ?”
“Yes, Miss Cranstone,” the Revered replied
and fumbled in his pocket for a large handkerchief to wipe sweat from his
forehead. “It most certainly does. but...”
Sophie though did not hear the end of that
conversation because Rosa stood at the edge of the veranda waving her to go
over - it was time to get dressed for the dance. She left her serving tray with
another slave girl and followed Rosa to a storage cabin a short distance from the
house where the costumes were kept.
"Dear friends," Caroline
announced in a somewhat solemn tone. "Can I ask everyone to move to the
rear garden? The slaves have prepared something very special for our
entertainment. Please, follow me.”
The jolly crowd of chattering ladies and gentlemen followed Caroline behind the main house where two rows of chairs were placed on the lawn in front of an unlit bonfire. A group of slave musicians - four men with large drums, a fiddler and two banjo-pickers - were already there, waiting for the guests to take their seats.
The jolly crowd of chattering ladies and gentlemen followed Caroline behind the main house where two rows of chairs were placed on the lawn in front of an unlit bonfire. A group of slave musicians - four men with large drums, a fiddler and two banjo-pickers - were already there, waiting for the guests to take their seats.
“Dear Caroline, I simply love these
outfits you have the serving girls wear,’’ one of the guests - a woman of about
50 years holding a lorgnette in her hand - commented excitedly as they walked
through the garden. “It is so refreshing to see masters that take care of how
their slaves look. My, it is so depressing to see them wear their rags and ugly
headwraps. In these nice uniforms they look so dignified!”
“Why, thank you, Mrs. Bradford. They certainly look pleasing, do they not? It was quite an investment of time and effort to have them made, but the result is well worth it,’’ Caroline responded with not a small amount of pride as if it was her personally who had spent day and night sewing the uniforms for her slaves.
“Why, thank you, Mrs. Bradford. They certainly look pleasing, do they not? It was quite an investment of time and effort to have them made, but the result is well worth it,’’ Caroline responded with not a small amount of pride as if it was her personally who had spent day and night sewing the uniforms for her slaves.
"I too have to commend on your
choice, Miss Cranstone,” Mr. McGowan, who was walking right behind Caroline,
joined the conversation. “It is now considered a sign of great taste in Europe
to have one's servants well-attired. Colored uniforms are peculiarly in vogue
in France this season. I can recall that at Duchess de Bourbon's ball two
months ago the serving girls were wearing very similar livery. "
“Thank you very much, Mr. McGowan. I would
love to hear more about your European travels after the entertainment is
over,’’ Caroline replied, flattered that she was attuned to what the best
houses across the Atlantic were doing.
After the guests were seated, about a
dozen slaves joined the musicians in front of the bonfire and stood there,
waiting for a permission to begin. Caroline nodded, the music started and the
field slaves gathered in a large circle and began moving to the rhythm, clapping
their hands and cheering loudly. The ring shout, with the slaves’ moves
becoming faster and more extravagant by the minute as they jumped and twisted
to the raucous music, lasted for a while and the jolly dance culminated with
the lighting of the bonfire.
The dancers moved to one side to give way
to five men dressed in only loincloths, their dark, exceptionally muscular
bodies on full display. Their faces and torsos were covered with white painted
dots, circles and zigzags that gave them an appropriately savage appearance.
Caroline smiled to herself as she heard the collective “ooh” that came from the
women - and some men - in the audience. Wait until they see the rest, she
thought to herself. The men jumped
around the fire for a few minutes to the exotic drum rhythm, rotating their
arms and twisting their legs in a wild dance - a contrived approximation - of
that of their African homeland.
The drums were at their fastest and loudest when the men were joined by five barefoot slave girls, Sophie among them, each dressed in identical short bead skirts. On their arms and ankles were rows of copper jewelry that rattled with every move they made. Their breasts were covered by large wooden necklaces. The slave girls’ faces were daubed with tribal markings similar to the men’s and colored beads had been woven into their hair.
The drums were at their fastest and loudest when the men were joined by five barefoot slave girls, Sophie among them, each dressed in identical short bead skirts. On their arms and ankles were rows of copper jewelry that rattled with every move they made. Their breasts were covered by large wooden necklaces. The slave girls’ faces were daubed with tribal markings similar to the men’s and colored beads had been woven into their hair.
If it had not been for her lighter skin,
Sophie would have been completely unrecognizable among them in her outrageous
‘native’ attire. During their brief rehearsal before the party, when she had
been shown the costume and the dance movements and gyrations she would have to
perform, Rosa suggested dying Sophie’s skin a darker shade so that she wouldn’t
stick out from the rest like a sore thumb, but there was really no time for
that - neither was Sophie too keen on the idea. Now, however, she felt that she
should have accepted the offer as everyone’s eyes were clearly on her - or so
it seemed when she briefly skimmed the audience and saw Elizabeth with a
mixture of surprise and excitement on her pretty face.
The five male slaves gave way to the girls
as they formed a line in front of the burning fire, shaking their hips to the
exotic beat of the drums, the rattle of their jewelry adding to the rhythm.
Sophie did her best to imitate the other girls’ moves, jumping, squatting,
spinning around and bending low to the ground at the knee. The extravagant dance was unlike anything
Sophie had ever done before - if anything, it resembled a silly child’s frolics
more than what she learned at her dance lessons. This was certainly no
cotillion or waltz or any other real dance that people danced at balls, yet she
found herself surprisingly drawn to it. The energetic dancers next to her were
clearly enjoying themselves and slowly she joined in the fun, submitting completely
to the vibrant rhythm, almost forgetting how deeply degrading it really was for
someone like her. The look of complete shock on some of the guests’ faces that she
couldn’t help but notice only added to her enjoyment.
The dance grew wilder, more intense as the
men formed pairs with the girls and held them tight in their embrace with their
strong arms, twisting and shaking to the exotic beat. The slaves were spinning
faster and faster, as if unable to stop, the girls were bending lower and
lower, until the drums suddenly stopped and everything came to a halt.
Caroline rose to her feet and looked
around her, satisfied with the impact this performance had on her guests: their
reactions ranged from mild embarrassment to utter shock. The only one clearly
enjoying himself was Philip, who started clapping furiously the moment the
dance was over. Revered Andrews rose from his seat, but when he was about to
say something Caroline raised her hand and said: “Dear guests, please don’t judge
the slaves too harshly. Their customs may seem savage to us, but I am sure they
had the best of intentions in mind when they prepared this performance. Some of
them may be born in America, but this African culture, so alien to us, is
deeply rooted in their blood.”
“Girls, I want you to serve the final
round of drinks for the guests,’’ Caroline addressed Sophie and her fellow
dancers who were catching their breath next to the fire. “You can change later.
I want to get a better look at your lovely costumes before you are back into
your serving uniforms.”
Sophie looked at her dancing partners,
but, needless to say, none of them showed even the slightest hesitation as they
obediently went to the veranda and quickly returned with trays filled with
glasses. She had no choice but to follow them and was soon serving drinks in
her humiliating garb and face paint, trying not to notice the stares of
everyone around her.
“You look lovely, Sophie,’’ she heard
Philip’s drunken whisper in her ear again and felt his arm on her behind.
“Suh, someone might see, please..” she
pleaded, but instead of removing his hand, he painfully squeezed her thigh.
“See you in five minutes in my room. Don’t be late,” he answered and moved away, almost tripping over a chair on his way.
Another entertaining installment
ReplyDeleteKeep up the good work
Hope next chapter is sooner
Then later
Thank you very much, will do my best.
Deleteomg, please let her be sold!
ReplyDeleteA masterful continuation.
ReplyDeleteThanks for another great chapter.
Sincerely,
Belladonna
Thank you, Belladonna. I am really flattered.
Deletegreat !!!
ReplyDeleteYou said it!
DeleteI'm so glad you decided to continue this great story Camille! And of course you continue it very cleverly being as always so careful for details; 'calico dresses' for instance, a perfect cotton material at the time, strong and cheap, perfect for slaves' wear.
ReplyDeleteOf course like everybody else I'm curious which way the story will go. I liked the idea for darkening Sophie's skin; then her Nigra status will become much more obvious.
Looking forward for the next episode,
Monica G.
Thank you, dear Monica. As for darkening of skin, let's see about that. Not sure it's really needed though as fair-skinned and white-looking slaves weren't really that uncommon. Let me save my racial transformation fuel for Molly's sequel/prequel/spin off.
DeleteGood point Camille!
DeleteMG
Eh, I would disagree. It’s kind of a cheap cop-out to do a story like this and then bring up the history of 1840s slavery only when it’s convenient. If you want to say white-looking slaves were actually a thing then I would counter with the fact that the secret slave was not.
DeleteI’m not saying you have to do a race change or even that you should, but your argument for not doing one falls flat, in my opinion.
Sorry, I don't think I understand your point. Are you saying white-looking slaves did not exist? Why is that a cheap cop-out? I re-read your comment a few times and still don't understand the point you are trying to make. Can you elaborate please?
DeleteYou are saying that it’s OK if Sophie doesn't have dark skin because #NotAllSlaves are like that. That’s fine, but it’s a drop of reality in an ocean of fantasy. Bits of real life history are only being utilized when they are convenient. That was the point I was trying to make. Not wanting Sophie to have dark skin because you’d rather save that for another story is the better excuse.
DeleteThank you for your comments.
DeleteWell, I never said that was the only reason. Yes, it is a fantasy story, but it doesn't mean that parts of it can't be based in history. When I have to select between more fantasy and something that is (relatively) realistic, I tend to select the latter unless it's hurting the plot's progression. And yes, it's only natural that you would utilize things that are convenient for you as a writer of fiction.
Do remain cognizant of the fact that you had to explain to Monica about white-looking slaves. If the part of history you wish to draw from isn't common knowledge, people may (wrongly) assume it is a plot hole or that you've made a mistake. Anyway, this is more of a critique on your comment rather than the story itself, which is more important, so I'll shut up now.
DeleteIf the part of history runs contrary to common knowledge, I should say.
DeleteSW here: as the originator of the story and the broad outline of where the story still has to go I'd like to defend Camille here but not that I think it should be necessary. Anyone who reads the opening chapter will see, I believe, a very clear exposition of how it could come to be that Sophie might pass for a slave. If I may say so, you seem rather lathered up about this - if it annoys you that much maybe you should read some of the excellent writing and stories available elsewhere on Camille's site.
DeleteI take no issue with the way in which the story has been presented, so please don’t take too much offense. There was a comment that I happened to have a difference of opinion on as I am of the belief that people think of slavery in terms of black and white and that this perception is something Camille may wish to keep in mind. Consider how slavery is portrayed in film. Slaves of a mixed heritage are usually few and far between to say the least. Why? Because the filmmaker may be concerned that their audience will get confused if their slaves aren't black enough. If they were to present a more accurate picture of slavery by casting more biracial people, the viewer might think that they are “whitewashing” history.
DeleteThanks for explaining your point further. I think that the 'black and white' view of slavery is old-fashioned and people are more clued up to the history now. That said, I am Scottish and don't have any feel for the perception of that terrible aspect of American history in the USA itself (where it matters most). I have tried to make one or two points with the story thus far (as will Camille I'm sure) and I will continue to (Camille and I have jointly come up with the outline/plot still to come and I contributed a part to this chapter and will do so again when time allows) The story is, hopefully, entertaining (for those that like this sort of thing lol) but it is no more than erotic fiction and should be read with that firmly in mind. I think that if the idea that a white could pass as a slave really jarred with a reader then they would have given up early in Chapter 1 before wasting too much time continuing. SW
DeleteLove this story and love your continued interpretation great work Camille
ReplyDeleteHugs
Jackie J
X
Thank you, Jackie!
DeleteLove the latest instalment, Camile.
ReplyDeletexo Keeley
This is a good, even great chapter ;) For those with access to BBC R4 via the iPlayer it might be worth listening to this morning's edition of Melvyn Bragg's 'In Our Time' which dealt with the life of Frederick Douglass who was born into slavery in Maryland in 1818 but escaped and became a prominent abolitionist.
ReplyDeleteRobi
He he Folks, white slaves black slaves who cares?
ReplyDeleteFor me it’s a great story I do enjoy very much and as SW already mentioned it’s just a erotic fiction.
Of course it’s fine if Camille tried to stay close to real history but sometimes this true can destroy our erotic dreams and pleasures.
For those who want to read a true historical story this is definitely the wrong place.
Please Camille go ahead on this way.
For me it’s just a pleasure and enjoyment to read those wonderful story’s who are so rarely to find.
GW
Thanks, will carry on, don't worry!
DeleteThis chapter continues the excellent level of writing of all the previous chapters.
ReplyDeleteI like the fact that as a reader i see the slavery ongoing, Carolines dominance ongoing and Elizabeth well settled in her Mistress of sophie role, but the other events and interpersonal interactions created by Camilles writing keeps readers like myself ever keen to see where she will take our minds.
The slave dance was a excellent addition.
Camille truly magnifique story writing, and telling of it.
Thank you very much. Glad you loved it.
DeleteI'm just curious as to whether you are going to continue the story fully or leave it
ReplyDeleteThe plan is to properly finish it.
DeleteSo is there any idea as to the update schedule and the amount of chapters?
DeleteThe next chapter is almost ready, you can expect it in coming days. Still needs some final touches. Based on the outline, I think there is room for at least five more chapters, but we'll see.
DeleteThis is minor point (and I have no religious beliefs myself), but I would have expected Rev. Andrews and Caroline Cranstone to have quoted the 1611 King James [or Authorised] Version of the Bible (Titus 2:10-11 and, presumably, Ephesians 6:5-9, Timothy 1:1-2 or Colossians 3:22-4:1), rather than some relatively modern paraphrase. See, for example: https://biblehub.com/kjv/titus/2.htm , https://biblehub.com/kjv/ephesians/6.htm , https://biblehub.com/kjv/1_timothy/6.htm , or https://biblehub.com/kjv/colossians/3.htm
ReplyDeleteThis is what most likely would have been familiar from readings in a Protestant church or from someone’s private Bible reading.